| Runtime: 144 min
Language: Eng
Subtitles: French
Resolution: 1280x720
Frame Rate: 23.9 fps
Video Bitrate: 5228 Kb/sec
Audio Bitrate: 384 kbps |
Health
Year: 2012
Genre: Drama
Director: Paul Thomas Anderson
Starring: Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams
 25 |  5 |
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Users review: Paul Thomas Anderson has emerged as perhaps the great American auteur of his generation. At 42, this is his sixth film (after 1996s Hard Eight, Boogie Nights 1997s, 1999s Magnolia - of my all-time favorite - Punch-Drunk Love, 2002, and 2007's There Will Be Blood). Like Kubrick and Terrence Malick champion after aging master (which, incidentally, only her film debut in the sixth, amazed, last Venice Film Festival where PTA won the Silver Lion for Laptop better management), it is not the most prolific filmmaker, but his creations perfectionist, yet surprisingly cinematic cerebral and emotional, always leave an indelible mark (polarizing audiences, but usually serves criticism). Master is no exception. Shot on 70mm film projection, it is not as much of an epic alien as you would imagine - even if every single picture is stunning and , perfectly composed (courtesy of cinematographer Mihai Mare Malai Jr. who replaced Robert Elswit, Anderson's usual collaborator). It is similar to There Will Be Blood in tone and content, but it stands on its own (again Jonny Greenwood is responsible for the outcome). Freddie erase (Joaquin Phoenix) is a troubled and troubling drifter who becomes the right hand of Lancaster Dodd (Extraordinaire actor Philip Seymour Hoffman), commander of a cult called the cause of war s II America. Their strange, relationship'll be blurred between film. Master is a thoughtful claim religious fanaticism and lies sold as fe, which has caused controversy and concern among Scientologists even before its release. By failing to mention real name is Anderson can expand the scope of its history and makes it richer - and more subtle - than a simple flick of Scientology would have been. Like his previous films, there's more than meets the eye in a single viewing, and his attention to detail pays off (there's also a visual tribute Melvin for Jonathan Demme and HOWARD, another favorite Andersons, in a motor racing event). Hoffman is as good as ever, and Amy Adams is more efficient (slowly deprive yourself of cutesy mannerisms) as his wife. Golden girl David Lynch, Laura Dern has a small role. But this is Joaquin Phoenix hours, all the way. River Phoenix's brother childhood has become an interesting actor himself as dark comedy Gus Van Sant's to die for (1995), and, after retirement His much-publicized retirement from acting and music career Hoax in 2009, he managed to come back with a performance for the ages, is the culminating at Oscar gold. As for Anderson, it is unclear whether the Academy will finally recognize what he deserves. His films can still be very strange taste Academy (he's announced his next project will be an adaptation of Thomas Pynchon inherent vice detective , s, a project seemingly less ambitious that he hopes to do a little more, in five years). Despite Oscar figures, we can rest assured that in a world where PTA can make such a personal work and original and find their audiencëne , there is still hope, and space for intelligent cinema.
